The representation of the presence or absence of human body in dialogue with ‘asemic’ writing systems motifs and structures placed on architectural spaces, are the main topics of this series of artworks. These motifs are first made using traditional techniques, where the idea of rhythmic seriality -provoked by the gesture and the contact with materials- establish an important part of the creative process that finally merge in the digital medium, founding new compositions in different formats like still image or animation, It´s been created a nomenclature in which each part of the process is following by numbers and letters depending on the random names of the files that have been given related to the date of creation. The keyword «Land» is designed for the first ‘asemic’ writing motifs made with traditional techniques, mostly ink on paper. «Script» concerns to the transition to of three-dimensionality appearance of the previous composition becoming virtual scenarios through a progressive iteration of the motif captured in a selection of multiple point of views in a 3D software. Human figure presence is mentioned by the paragraph «Body», and this figure representation is created using traditional techniques. These are physical artworks as well. «Space» used to appear when there´s an specific way to merge the previous element, and it´s referred to filters and animations.