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Human body presence or absences representation in dialogue with ‘asemic’ writing systems motifs and structures, placed on architectural spaces and dystopic conurbations, are the main issues of this series of artworks.

These motifs are first made using traditional techniques, where the idea of rhythmic seriality -provoked by the gesture and the contact with materials- establish an important part of the creative process that finally merge in the digital medium, founding new compositions in different formats like still image or animation,

It´s been created a nomenclature in which each part of the process is following by numbers and letters depending on the names of the files that have been given related to the date of creation.

The keyword «Land» is designed for the first ‘asemic’ writing motifs made with traditional techniques, mostly ink on paper.

«Script» concerns to the transition to three-dimensionality appearance becoming virtual scenarios by the previous composition. These imaginary urban landscapes were designed through a progressive iteration of the captured motif in a selection of multiple points of view.

Human figure presence is mentioned by the paragraph «Body», -in some cases Asemic Body. This figure representation is created using traditional techniques that are physical artworks as well.

«Space» used to appear when there´s a specific way to merge the previous element, and it´s referred to the position and path of the camara, the different filters and animations.

Occasionally the animated artworks are accompanied by music, so the keyword «sound» is included.