There is a logic of disobedience. In this practice of drawing, we are as wary of hieraticism as of the finished object. Is preferred a principle of latency which induces that things are apprehended in duration and hybridization, according to a double condition which places the process on the side of modeling. Where the eyes have no immediate hold does not indulge in any condition. Just as the bronco - art of the rodeo or, by analogy, the fiery animal - tends to free itself from its deadly gangue, the line is emancipated from its support. And if the drawing had to be tamed like a wild horse?