-. Aquelarre .-

For Algorithm Victims Ruin Art History, I reinterpreted El Aquelarre (1798) by Francisco de Goya through a process of digital and physical fragmentation.

The original painting was translated into two different character systems. I printed them, tore the copies apart, and rescanned the fragments.
Through this process, the work moves between analog destruction and digital reconstruction, turning Witches' Sabbath into a mutable surface.

.˳·˖✶𓆩𓁺𓆪✶˖·˳.