This piece was born from a process of experimentation carried out during an exhibition at the Museo de la Ciudad, in Tucumán -a building that was once a house and that today, due to its heritage value, was saved from demolition. That gesture, as simple as it is transcendental, contrasts with a reality that crosses many cities in Argentina: real estate speculation and the systematic demolition of the existing.
"Alometría: Ladrillos y Memoria" is an interactive collage that combines images of rubble, construction materials and urban noises. The work proposes a visual and sound experience built with bricks, debris and fluorescent colors. The background changes, the elements move, and with each click the viewer alters the composition and the sound, becoming co-author of the process.
This playful gesture is also an act of resistance: nothing is finished, everything is under construction. It is an invitation to critically observe the territory, to value the everyday, and to ask ourselves what memory is preserved when the built disappears.